Lichtenberg says that only few men have ever seen the pure white. He built upon - adds Wittgenstein – an ideal use of the pure white conforming to the ordinary use. This does not mean a better use, but just a refined one in a certain direction, where something has been carried to extreme.

 

From the white, that leaves everything clean and silent I want to start again and to approach actively, as Nietzsche writes, to my own nihilist view of the existence: only beginning from the white we have the possibility of creating and overcoming ourselves.

 

Art is my place where everything happens and through which I illude myself to be able to survive death. In fact the macro theme of my work is the concept of end and the attempt to overcome it. I would like to be a minstrel, who lives without believing in the impossibility of doing something and who walks on a utopian border between reality and fiction. This limit does not exist and the concept of theatrality collapses because there is no point where life ends and art and show begin.

Danilo Sciorilli

Turin, Italy

danilosciorilli@hotmail.it

Colophon

Danilo Sciorilli

Multimedia Artist

 

Design and Development

Gianluca Ciancaglini

 

© 2019 Danilo Sciorilli

All rights reserved

SOLO SHOWS

2019

→ The Big Crunch

Curated by Grazia Paganelli

Museo Nazionale del Cinema di Torino, Cinema Massimo

Torino

 

group shows

2020

→ Come se il tempo si fosse tutto rannicchiato, da dietro in avanti e da avanti all'indietro, compresso in un istante compatto

Curated by Antonello Tolve

Centometriquadri Arte Contemporanea, Santa Maria Capua Vetere (CE)

 

2019

→ Mostra personale di Vitangelo Moscarda

Curated by Linda Fossati

Torino

→ Now Now, Art in the making

Curated by Davide Dall'Ombra, Francesca Radaelli and Luca Fiore

40° Rimini Meeting, Fiera Rimini, Rimini

→ Welcome to Venice

Curated by the School for Curatorial Studies Venice

Venice Art Project, Venezia

 

2018

→ BocsArt, Artistic Residences

Curated by Giacinto Di Pietrantonio and Giovanni Viceconte

Cosenza

→ Contexto, Contemporary Area

Curated by Davide Dall’Ombra

Edolo (BS)

 

2017

→ Saldi d’artista

Curated by Giacinto di Pietrantonio and Pietro Gaglianò

Project by Giuseppe Stampone

Italian Center for Documentation on Cooperation and Social Economy, Bologna

→ Game Over

Curated by Paolo Parisi and Giuseppe Stampone

Base, Progetti per l’Arte, Florence

→ Musiche da naufragio

Curated by Valentina Tebala

Casa Sponge, Pergola

 

2016

→ Fuori Uso, Avviso di Garanzia

Curated by Giacinto Di Pietrantonio e Simone Ciglia

Former Court, Piazza Alessandrini, Pescara

→ Insieme

Curated by Zerynthia

Site-specific installation, Chapel of Sant'Andrea, Paliano

→ OS2_Operative System 2, GENERATIVO

Curated by Umberto Palestini

Sala del Castellare, Palazzo Ducale, Urbino

 

2014

→ Mislead

Sala Storto-Vaselli, Museo Aligi Sassu, Atessa

 

sTUDIES

2017

→ MA in Contemporary Visual Arts

Academy of Fine Arts, Urbino

 

2014

→ BA in Contemporary Painting

Academy of Fine Arts, Urbino

This website shows a selection of Artist’s works. Work licensed under CC BY-NC-SA 4.0. Further information and images can be requested via email.

Legal info

Lichtenberg says that only few men have ever seen the pure white. He built upon - adds Wittgenstein – an ideal use of the pure white conforming to the ordinary use. This does not mean a better use, but just a refined one in a certain direction, where something has been carried to extreme.

 

From the white, that leaves everything clean and silent I want to start again and to approach actively, as Nietzsche writes, to my own nihilist view of the existence: only beginning from the white we have the possibility of creating and overcoming ourselves.

 

Art is my place where everything happens and through which I illude myself to be able to survive death. In fact the macro theme of my work is the concept of end and the attempt to overcome it. I would like to be a minstrel, who lives without believing in the impossibility of doing something and who walks on a utopian border between reality and fiction. This limit does not exist and the concept of theatrality collapses because there is no point where life ends and art and show begin.

Lichtenberg says that only few men have ever seen the pure white. He built upon - adds Wittgenstein – an ideal use of the pure white conforming to the ordinary use. This does not mean a better use, but just a refined one in a certain direction, where something has been carried to extreme.

 

From the white, that leaves everything clean and silent I want to start again and to approach actively, as Nietzsche writes, to my own nihilist view of the existence: only beginning from the white we have the possibility of creating and overcoming ourselves.

 

Art is my place where everything happens and through which I illude myself to be able to survive death. In fact the macro theme of my work is the concept of end and the attempt to overcome it. I would like to be a minstrel, who lives without believing in the impossibility of doing something and who walks on a utopian border between reality and fiction. This limit does not exist and the concept of theatrality collapses because there is no point where life ends and art and show begin.