Lichtenberg says that only few men have ever seen the pure white. He built upon - adds Wittgenstein – an ideal use of the pure white conforming to the ordinary use. This does not mean a better use, but just a refined one in a certain direction, where something has been carried to extreme.
From the white, that leaves everything clean and silent I want to start again and to approach actively, as Nietzsche writes, to my own nihilist view of the existence: only beginning from the white we have the possibility of creating and overcoming ourselves.
Art is my place where everything happens and through which I illude myself to be able to survive death. In fact the macro theme of my work is the concept of end and the attempt to overcome it. I would like to be a minstrel, who lives without believing in the impossibility of doing something and who walks on a utopian border between reality and fiction. This limit does not exist and the concept of theatrality collapses because there is no point where life ends and art and show begin.
Danilo Sciorilli
Turin, Italy
danilosciorilli@hotmail.it
Colophon
Danilo Sciorilli
Multimedia Artist
Design and Development
Gianluca Ciancaglini
© 2019 Danilo Sciorilli
All rights reserved
SOLO SHOWS
2019
→ The Big Crunch
Curated by Grazia Paganelli
Museo Nazionale del Cinema di Torino, Cinema Massimo
Torino
group shows
2020
→ Come se il tempo si fosse tutto rannicchiato, da dietro in avanti e da avanti all'indietro, compresso in un istante compatto
Curated by Antonello Tolve
Centometriquadri Arte Contemporanea, Santa Maria Capua Vetere (CE)
2019
→ Mostra personale di Vitangelo Moscarda
Curated by Linda Fossati
Torino
→ Now Now, Art in the making
Curated by Davide Dall'Ombra, Francesca Radaelli and Luca Fiore
40° Rimini Meeting, Fiera Rimini, Rimini
→ Welcome to Venice
Curated by the School for Curatorial Studies Venice
Venice Art Project, Venezia
2018
→ BocsArt, Artistic Residences
Curated by Giacinto Di Pietrantonio and Giovanni Viceconte
Cosenza
→ Contexto, Contemporary Area
Curated by Davide Dall’Ombra
Edolo (BS)
2017
→ Saldi d’artista
Curated by Giacinto di Pietrantonio and Pietro Gaglianò
Project by Giuseppe Stampone
Italian Center for Documentation on Cooperation and Social Economy, Bologna
→ Game Over
Curated by Paolo Parisi and Giuseppe Stampone
Base, Progetti per l’Arte, Florence
→ Musiche da naufragio
Curated by Valentina Tebala
Casa Sponge, Pergola
2016
→ Fuori Uso, Avviso di Garanzia
Curated by Giacinto Di Pietrantonio e Simone Ciglia
Former Court, Piazza Alessandrini, Pescara
→ Insieme
Curated by Zerynthia
Site-specific installation, Chapel of Sant'Andrea, Paliano
→ OS2_Operative System 2, GENERATIVO
Curated by Umberto Palestini
Sala del Castellare, Palazzo Ducale, Urbino
2014
→ Mislead
Sala Storto-Vaselli, Museo Aligi Sassu, Atessa
sTUDIES
2017
→ MA in Contemporary Visual Arts
Academy of Fine Arts, Urbino
2014
→ BA in Contemporary Painting
Academy of Fine Arts, Urbino
This website shows a selection of Artist’s works. Work licensed under CC BY-NC-SA 4.0. Further information and images can be requested via email.
→ Legal info
Lichtenberg says that only few men have ever seen the pure white. He built upon - adds Wittgenstein – an ideal use of the pure white conforming to the ordinary use. This does not mean a better use, but just a refined one in a certain direction, where something has been carried to extreme.
From the white, that leaves everything clean and silent I want to start again and to approach actively, as Nietzsche writes, to my own nihilist view of the existence: only beginning from the white we have the possibility of creating and overcoming ourselves.
Art is my place where everything happens and through which I illude myself to be able to survive death. In fact the macro theme of my work is the concept of end and the attempt to overcome it. I would like to be a minstrel, who lives without believing in the impossibility of doing something and who walks on a utopian border between reality and fiction. This limit does not exist and the concept of theatrality collapses because there is no point where life ends and art and show begin.
Lichtenberg says that only few men have ever seen the pure white. He built upon - adds Wittgenstein – an ideal use of the pure white conforming to the ordinary use. This does not mean a better use, but just a refined one in a certain direction, where something has been carried to extreme.
From the white, that leaves everything clean and silent I want to start again and to approach actively, as Nietzsche writes, to my own nihilist view of the existence: only beginning from the white we have the possibility of creating and overcoming ourselves.
Art is my place where everything happens and through which I illude myself to be able to survive death. In fact the macro theme of my work is the concept of end and the attempt to overcome it. I would like to be a minstrel, who lives without believing in the impossibility of doing something and who walks on a utopian border between reality and fiction. This limit does not exist and the concept of theatrality collapses because there is no point where life ends and art and show begin.